Save the Comics! Don’t Buy Them, Unless you LOVE Them.

 

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“I still buy [insert generic comic] every month, but I haven’t read an issue in forever.”

I’ve heard the above statement a hundred million times, and it never seems to go away. My pals in comic retail tell me they still hear it like bad pop music. We know about this, and so do the outsiders. The model comic-obsessive completist is our Steppin’ Fetchit, who takes his funny-books home, shoves ’em into a poly-bag with a board, then gingerly puts his buyings into a long-box and forklifts it into a tower in the basement while avoiding tearing his man-mou-mou. He’s on The Simpsons, all over youtube, and sits in the ethos. I have pals I love who straddle the fence, reading books that make my eyes bleed. They’re just peachy to me. I don’t attack them for their materials (I do engage in some shit-giving), because they LIKE what they’re reading, and who am I to judge? I’m more of an Uncle Tom reader myself. I hang with the folks who don’t know that comics are the greatest thing on earth, and the only thing worth fighting for. I wanna be invited to the parties, after all.  Once there, I want to dash home and talk about, read and read about comics. OK, I kid. That said, I’m more interested in talking about the rabid collector who doesn’t actually interface with the product. Like I said, no actual judgement- it’s a victimless thing at first glance. What’s at play here is a situation that effects us all- bad voting, and the impact it has on comics overall.

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Before I get into the wider damage, let me tell you about a pal of mine who died in our late ’20s. He was a collector of all things great and cool. Comics, magazines, vinyl LPs, CDs, art, coffee table books, vintage housewares- an ephemera wunderkind. He got really sick and stayed that way until he died nearly two years later with an actual window of problems that lasted more like five. His final year was horrid. He died a million ways before his heart stopped, at about a foot a day, with torturous moments of false recovery that never amounted to more than three days. Supporters brought him wrestling magazines, comics and stuff to keep him interested. He’d thank them graciously, and put on a happy face. It was a lie, and I knew it. He didn’t give a rat’s ass anymore about any of it. It might help waste five minutes, but there was not a trickle of joy in the offing after the fatal diagnosis. Too much to think about, feel, deal with, and endure for anything non-essential to matter. What focus he did have mentally went to the delusion of him getting better, even though everyone knew it was not in the cards. I sat with him a couple of nights a week for quite some time and we NEVER talked about any pop-minutiae. I knew he was away from it all. We spent a lot of time in silence as a result, because that was the tie that bound. When he finally went, there was a half-duplex full of treasures to be dealt with. On his mom’s order, I got about 20 friends together and we formed a line and went one-by-one picking out something we wanted and then back to the back and working ourselves up to the front again. Eventually, it just became a damned free for all. I gave up early, because suddenly after years of collecting it just seemed so moot. I no longer could figure out the goal, and there was no joy there. Two days after the affair, a yard sale happened an a For Rent sign went in the yard. I looked at the house, and it was a moment of clarifying truth- that’s all there is, that’s all you get.

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The deep realization was that the empire falls when I do and very likely, well BEFORE. Even if I don’t have a terminal disease, it will likely fall from me before I go. If I spend years in declining health, my joy for everything will be greatly reduced. If I go in a nursing home, I won’t see that shit again. If I die suddenly, it’s just there for someone else to figure out what to do with. If I don’t have close loved ones, it’ll hit the auction block and go for a song. If I think I have young relatives who might care about them, they are likely not going to fill a house with my leftovers unless they are deeply passionate about them. Most folks aren’t going to have the time and energy to pilfer through my leavings to sort, post, collect, and mail them off for the money. I’m not going to go through the astringent process of having my books graded, unless they are spectacularly rare and 9/10s just aren’t and likely won’t ever be. With that logic, I started paring way down. I only kept things I really, really wanted to re-visit with frequency. Over the years, I’ve had lots of sales to keep things light. I’ve given longboxes to children in hopes they’d find some magic inside. My collection as it stands is now roughly forty books- trades and hardbacks- and if I find them not to be appealing, they go to a Half-Priced Bookstore and the credit goes for new ones. I accumulate comics and when I get to over a half-long-box, I find somewhere to fob them off. Part of my platform here is that I do not want to pay for space to hold inanimate objects that I do not use. I accept the fact that I can’t hold on to things because I just might get a wild hair to open them up once in how-ever-many years. The time going past without doing it outweighs the time spent doing it. Also, having an object for a long time steals the magic. It’s like hearing a great song you loved on the radio, and then purchasing it. After myriad listenings, the power is gone. When you just come up on it once in a blue moon, it’s still there. That’s why I like going to the library to re-read old fare that I can find. It’s like picking up a cool animal and petting it, then releasing it back into the wild.

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All that said, I’m still not going to judge anyone else who wants to do it a different way. In fact, if everyone did what I chose to, there would be no comics at all, so please don’t if you don’t feel like it. You get one shot and if you want to spend it collecting like crazy, go for it and I truly hope you enjoy it. Enjoyment is the key factor here. It’s also rooted in my reason for finding the absolute form of the practice to be harmful to the overall comics community- it is nothing short of bad voting practice, and it chokes the life out of true comic lovers in the long run.

I read and see so much, and I take part in discussions that are essentially folks co-miserating about the current state of comics. We also spend time worrying about books we do love facing a certain chopping block. We are passionate about these things because we love them; as much as you can love something that is not living, breathing, or essential to living, anyway. People who joylessly show up at comic shops on Wednesday to fill the quota and the boxes are our anti-matter. They cast votes with their eyes closed and too often it goes into an undeserving slot. They fill up a file, empty it, add titles to it, and go home to process their purchases. I’ll step in here and interrupt my own platform to say that much deeper issues might need to be addressed as this points to addiction, which is not limited to substance abuse or such. Voids are obviously being filled by objects that will never satisfy the space of that hole. Change is an option, I’d like to point out. It might be difficult, but a success could result in contentment before death, and I think that sounds worthier than a mechanical existence, myself. Anyway, I can’t tell anyone what a good comic is, and no one else can either, it’s all conjecture. Why not though, ask the guy at the comic shop what’s not selling but in his humble opinion should be and buy that and stick it in a box? If somebody just has to blow some loot, why not move the money around? If they’re not going to read it, does it even matter? Who knows, maybe they’ll get home and feel an intrigue that’s obviously been missing and find something magical for the first time in years. Sounds a lot more potentially fulfilling to me, anyway.

i1If you’re doing anything that’s not tied to your livelihood or ability to exist and it’s not bringing you actual pleasure, do yourself (and others) a favor and make effort to stop. I can say with more than certainty that it will not harm nor kill you. It may be uncomfortable at first, but change just is. Any way you split it, life is too damned short to settle when you don’t have to. Drop the bag, drop the board, kick the box aside, close your eyes for a minute, open them and look in front of you and out the window. That is all you have, my friend, and it is all you ever really will, and ten seconds later, it’s gone. Save your life! Love what you live, read, and do!

FEEL FREE TO CLUTTER MY COMMENTS SECTION. I’LL BAG AND BOX ‘EM LATER.

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Save the Super-Heroines! Comic Book Fashion vs. Fad: Lasting Statements Vs Losing Looks

I have strong opinions about women in comics. Sad fact is, in a male dominated field, they are often misrepresented, marginalized, misunderstood, and objectified in a completely erroneous manner that stunts their growth. I want them to be done right, and then be successful. Success brings them to greater platforms like TV and films, and that’s a barren field for the ladies right now. Some might think me sexist for saying this, but if a super-heroine doesn’t have fashion, she’s probably not going to have much of a career. I don’t care if that sounds sexist. I’m calling it as I see it, and I can back it up. More important is to understand the difference in fashion and fad. The goal of both major comic companies now is to get newbies on board, and if the character on the cover doesn’t tell them what they’re about, and give them a window to who they are, why would they care? Super fashion has to tell a story. It also has to suit the activity of the character. Too many details and too much busy-ness can be the death knell of a career, no matter how well written they might be. I’m going to be really brutal to DC in particular, because they NEED it and deserve it the most. Their dwindling sales are the writing on the wall, and I’m sorry, but Jim Lee was the most poorly thought-through choice ever for modifying the looks of the characters, in particular the women. I can make a case for that, too. Marvel has success lately, and I guarantee you, fashion HAS played a part in it. DC is leaning on fad. Art that’s fad doesn’t last; it never does. Everything about the predominant DCU at this point is visually myopic. All flash, and no class.

#1Here’s Carol Danvers, Captain Marvel. Note the fact that the costume is succinct in its defining of the character. “Superhero. Sci-Fi. Military.” Also, it can easily bleed to other media, like film, with no need to be over-tweeked. Jamie McKelvie, using his simple and elegant style has composed a visual that any halfway decent artist can render with minimal difficulty. It’s visually quick and is fashion over fad, with clean lines, and no excess. The consequence of this wise choice?

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THIS. Not just one, but hundreds of them. They call themselves the “Carol Corps” and just guess who they are? The golden bough of readers- new and FEMALE. One look at the title, and it’s clear what it is about and they’re buying in. It’s luring, and makes an intimidated new reader feel ready. It lays out a visual welcome mat, and then the writing delivers. At a con recently, apparently the room flowed to a standing room only crowd, ready to talk Captain Marvel love. Also note how seamlessly the visual translates into the real world. Kudos.

3Catwoman. Darwyn Cooke made the same thing happen with this character. One glance, and you get “Cat. Sultry. Stealthy.” It supports fashion AND function for the character, and again, you already know enough about the lady from seeing it to open the book and feel invited, without the arrogant assumption that you know her. The zipper ring is a great touch, and gives it pop without overwhelming the look. Purrrr-fect. Sad thing is, this was in place when the Catwoman film with Halle Barry came along. Yes, the plot was wretched, but one look at the trashy, busy, and ugly costume they came up with was enough to keep me away from the theater. Extra galling is how easily this look could’ve been adapted.

wwpgPower Girl. “Tough. Superhero. Unashamed.” I’ve seen articles where some feminists have bashed it, calling it a ‘boob window’, and sought that it be changed (which has been tried three times in the past and failed). The correct term is a cut-out and it’s a longstanding fashion element. I find it catty, and I don’t that it assumes that anyone who likes it is sexist. I’m not, not at all. I think women should make choices that are true to themselves and NOT to accommodate the projections of others. I’ve had it argued that it’s still risque, siting other visual examples. That’s the choice of the artist. Many choose to decide to amplify the bust factor. The fault is not that of Wally Wood, the designer. Do some guys drool over it? Sure. That doesn’t make it wrong. Further, it’s live-action ready. Powerful, defensible, and classic.

powerboyHONORARY MENTION: Power Boy. I’d be incomplete without addressing him real quick after the last one. His look sums him up too. “Narcissist. Bit of a Douche. Powerhouse.” The outfit is actually not half bad for super-hero fashion. This guy got cut the hell in half in less than a year. He was obviously made just to make a statement about “himbos”, but honestly I think he could’ve helmed a title. I’m serious, I’d love a well done comic about a quasi-hero who’s the butt of the joke. He’s even New Gods connected. Plus, he could chew up some screen scenery without a doubt. Hey, why not?

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Saturn Girl. Love the character, love the mod, go-go-esque costume. Do not love the character in the costume. When she rose from being pretty much a cypher, we learned that she was a caring, warm, humble, and self-sacrificing woman. She’s also the Sue Storm of the Legion, as a founder, mother, and wife. It’s too flashy and risque for her. Her character would go for something more modest, and it only says “Saturn” to me, and doesn’t denote her heroic nature. Of course, it didn’t last a full decade (it made a slight latter day return, but when the Legion comes back-and it will- I bet it won’t be there).

6Barbara Gordon, Batgirl. A case study in the importance of good fashion for the superhero women. First rendered here by the late Carmine Infantino. What does it say to me? “Look it’s Batgirl, see it’s Batgirl, no really it’s Batgirl.” I get it Carmine. The ears, the cape, the chest emblem, the emblem on the weapons bag (which I like, BTW), the belt buckle, the boots and the gloves tipped me off. All of the visual pyrotechnics are unnecessary and gaudy. The shape of the mask is jagged, and makes her look needlessly hard. Infantino was so-so with design, but he came up with the classic Black Canary look, so he gets a partial pass.

7Hey there Miss Yvonne! Now, we’re talking. The mask points are made rounder and softer, and it makes her face look more open. The gloves and boots match the cowl, and the gaudiness subsides. This is how it had to be tweeked for the TV Set. Vrooooom!

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Back in four- color land, Don Heck comes along and gives this cluster-f*ck just what it was missing. A starched collar. Robin had one too, but this is not Robin-Girl. It makes her look like a businesswoman. The grey shading starts to creep and take over. Just plain fuggly.

bgWhere do you go from there? Hey, let’s make it sweatsuit grey and yellow and make those ears bigger than half her head, so there’s nary a trace of softness left. In the ‘70s, women like her were visually desexualized to the point that they looked like men with breasts. Bat-astrophe. In the ‘80s, there’s so much indifference about this character she’s pretty much invisible. In Crisis on Infinite Earths, she’s relegated to being a silly joke, to no outcry. Batgirl drops out in 1986, with the Crisis, then we all know what happened to Barbara next, thanks to a gunshot from the Joker. Batgirl was gone, and unfortunately most folks didn’t really care.

timmbgBATGIRL BEGINS! Now THAT’S more like it. Over in TV land, 6 years after she hung up her cowl in the comics, along comes Bruce Timm, a gifted cartoonist. Saints be praised. The ‘over-batting’ is gone. Just one emblem, and thanks to the addition of the matching cape, boots, cowl and gloves, the yellow ugh factor now makes the chest emblem pop. The mask is rounded down a’la “Batman ’66”, AND she now looks her age. The character comes over to the comic based on The Animated Series, to great response, even garnering a very successful oversized one shot. Character interest escalates beyond what it ever was before. DC responds in the mainstream universe with Batgirl flashbacks galore, including her own mini-series.

Batgirl_tnbaWanna make it even cooler? Kill the grey, and now she doesn’t look like a wannabe juniorette Batman. She’s got her own thing going on. The black allows the yellow to come back and it fits perfectly. The two-tone cape is lovely. This is the blueprint for the “Batgirl: Year One” classic, which is a total hit with the fans (I’ll be damned if in the last issue, the big old buckle and bat-shaped boots don’t come back. Sigh.).

timmhuntressThe Huntress. Stepping away from Babs for a sec, to illustrate the notion of fad and bad design. Here’s Bruce Timm doing an ill-fated Jim Lee look for the character. It’s top-heavy for one thing, and makes her face look jagged and unnecessarily harsh. It’s a sad, lukewarm S&M look. The open spaces make the character appear to be a narcissist, and that’s not the case at all. Also, I find it HIGHLY offensive that her crucifix, which was worn around her neck and emphasized that she was a Catholic which made sense as (in this canon) she was from an Italian mafia family, is now an accessory for such a cheap whorish look. Her personality is completely defied, and the uncovered body parts leave her, very obviously, open to attack. In TV or cinema, this would be nothing but sex farce. If Bruce T. can’t make it look good, you’re screwed. Sick, sexist, and ugly. FAIL EXPONENTIAL.

13Cassandra Cain, Batgirl. So, DC realizes that folks now love Batgirl like they never did before. Babs is in a wheelchair, thanks to Mr.J, and is vital in other books. Their solution is a new character. The costume is bad-assed, but the youthful feminine charm is lost. The costume DOES say who she is, but it’s definitely reflective of the 90s, and not suited for the long haul. Slim chance for other mediums with this one. Cassie hangs out for a few years, and dies off from an apparent lack of interest.

14Then, there’s Stephanie Brown, the next Batgirl. Let’s try this thing again. Too much of a too much. It’s not sleek and well lined. All of that padding is so unnecessary. Too bad, because the character inside is actually fun and great and bogged down by the minutiae.

15Kate Kane, Batwoman. Hey, let’s just put another sassy redhead in a Bat-suit, so we can meet everybody half way. Good idea. The red and black is amazing, and it says “Bat. Badass. Woman.” Ready for ‘toons, or even the big screen. ‘Nuff said.

Batgirl_Thrillkiller_01Meanwhile, over in Elseworlds, Thrillkiller Batgirl. Hot, but not a good idea in a knife fight. A- for fashion, B- for function (the lack of cape does make it a little more sensible than the rest of the gang), and a full scholarship for fanboy horniness. This version’s personality is a reckless, sensual wild card, so it actually does make sense.

17Babs comes back again, in the New 52. The costume is back and it’s still pretty fussy (it had bolts on the chest in the first issue). It started out insanely busy, and I’m willing to bet it will ebb off more as time passes. It’s a step in the right direction with the annoying bat-belt being more subdued and not visually outweighing the emblem. The whole desire for her return would be impossible if not for the Bruce Timm contribution.

18A lady with a lot of looks is Zatanna. The classic take. One look- “Magician. Female. Charming.” Yee-up.

zcropThen, she becomes a real super-heroine. No bemoaning of the boob-window that I ever heard. Pretty simple, sorta blah (grey is just hard to pull off in four color land, it requires something to give it punch), but it does say “Sorceress. Super-heroine. Sexy.” Makes it about 5 years.

perezatannaThen, came Perez. Good artist, a lacking designer usually, and was the go-to revamp guy for the company in the Eighties. A lobster on her head (?), the next use of that starchy collar (which is fine on a traditional magician costume), and those big ol’ Z earrings are pretty dreadful. This is also a strong example of busy artists making busy costumes. Only they can even halfway render them. Other artists strengths and weaknesses have to be considered. The Captain Marvel, Timm Batgirl costume, and even the Power Girl costumes are hard for the lamest of talents to screw up. Not ready for prime time, at all. Again, didn’t survive a decade, and the character pretty much vanished for a few years. Where’s her big comeback? The Animated Series, once again, and back to the classic look. Soon after, she started up all over the place and in flashbacks with the League, this outfit gets ret-conned out. Her own series comes shortly thereafter.

21New 52, and damned if I don’t actually kinda love it. The hair especially. It takes the best elements from the previous looks, and incorporates them beautifully. High crimefighter fashion. “Super-heroine. Magician. Confident.” They got it right, here. It can cross media lines of all stripes. I guarantee that if DC doesn’t fold, this could last for decades.

wwtimmWonder Woman. Arguably, the most controversial costume of the lot. Loudly says “American. Princess. Outdated.” Nostalgia is fine, but objectively it’s not very good, and it’s pretty silly. Here we are again with Timm, and it’s still just a lame bikini. How do you update an multi-media icon and leave her recognizable??

wwnfSimple, you hire an artist like Darwyn Cooke, again a cartoonist, who barely tweeks it and you get “Strong. Proud. Anachronistic Warrior.” Simple and here again, a cartoon based artist who using classic style makes a design that can be followed, and used in any media. *slow clap*

new52wwSo, what do we get instead? We almost got freakin’ KNEE PADS. Seriously. What we ended up with is an outfit with a washed out and blah color scheme, a needless arm band that has no function and is redundant with the emblem- which on the camisole is reduced to bling, and a suit that’s overall message is ‘stars’. It arrogantly assumes that the approacher knows who the character is, it makes no sense as an armor, and those little lines on the red of the torso are subject to the artist who gets stuck with them. It’s obvious in the context that it’s not Cliff Chaing’s work, as his offerings are more spacious and spartan, so it conflicts with it’s environs. All that detailed business would look silly in live action. This is why detail driven and over-drawing artists fail at designing. Again, cartoonists and classic stylists know how to make threads that are universally renderable and convey the essence of the characters that wear the designs.

25Good ol’ Raven. I rag on George, but he did this right. “Mystical. Bird-themed. Not a hand-to-hand combatant.” The big circles would be the detractor in ‘real life’, but it still gets a pass. Right on the money, Sir Perez.

26OK, so the sprite here is what kids are being sold on the hugely popular “Teen Titans GO!” series on Cartoon Network. The other is the new-look Raven from DC. Ok, not only is it mo-fuggly, but just how would they expect a kid to graduate from beloved cartoon characters to this unrecognizable mess?? It’s so faddy, it hurts. Needlessly horrific, is what it is. It takes a mysterious but feminine character and evolves her into a monster. Sick and stupid. Total fail. No new reader, especially a female or a child of any gender, is going to be drawn in by this. It will not last to see the dawn of 2016, I’d bet you good money.

What needs to happen? DC needs to look at PRESENT DAY Marvel, and where the quantifiable successes are. Marvel’s taking home the lion’s share, and with lots of good reasons. Understand, I love DC. It’s what I cut my teeth on. I do not, however, think they are making sound choices now. These examples are a statement about the culture that’s dominating (and failing) right now. DC is the classic company, the pioneer. Yet, they seem to be adhering themselves visually to the busy, over-drawn, needlessly exaggerated style of the 1990s that was very much a Marvel ideology at that time. It didn’t last because it was a total fad. People got burned out and abandoned it. Fashion is art, and art is what lasts, when it sees itself as fashion. The lesson? Hire simple, cartoon based designers when you want a product that will endure, and allow the character to prosper. Save the Super-Heroines!

PLEASE LEAVE ANY FEEDBACK/COMMENTS/DISCUSSION POINTS YOU MIGHT HAVE. I LOVE TO CHAT.

 THIS JUST IN: AUGUST 26, 2013-

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